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the what's on today requires a separate entry all it's own - filtering & synthesising ideas from the McLuhan Centennial Weekend Audible Approaches For A Better Place! in Berlin to Untold Stories - Queer Art in Tallinn and Net Audio Sonic Maze in London, it's all popping and frizzling. first, some notes on desire lines: (di.ZYR lyn) n. An informal path that pedestrians prefer to take to get from one location to another rather than using a sidewalk or other official route. Desire lines (or natural desire lines, as they're also called) are those well-worn ribbons of dirt that you see cutting across a patch of grass, often with nearby sidewalks — particularly those that offer a less direct route — ignored. In winter, desire lines appear spontaneously as tramped down paths in the snow. I love that these paths are never perfectly straight. Instead, like a river, they meander this way and that, as if to prove that desire itself isn't linear and (literally, in this case) straightforward. Study participants also drew charts of pedestrian traffic to take note of what are delightfully termed "desire lines"—paths actually made by walkers as opposed to those created on the drawing board.
A desire path (also known as a desire line or social trail) is a path developed by erosion caused by footfall. The path usually represents the shortest or most easily navigated route between an origin and destination. The width and amount of erosion of the line represents the amount of demand. Desire paths can usually be found as shortcuts where constructed pathways take a circuitous route. They are manifested on the surface of the earth in certain cases, e.g., as dirt pathways created by people walking through a field, when the original movement by individuals helps clear a path, thereby encouraging more travel. Explorers may tread a path through foliage or grass, leaving a trail "of least resistance" for followers.... What if artists composed music for a better world? Gold Panda
Brandt Brauer Frick Bhatti
Casper Clausen and Mads Brauer (of EFTERKLANG) feat. Karim Ghahwagi Christian Löffler Eliad Wagner Glitterbug & Ronni Shendar feat. Enas Massalha Jasmina Maschina feat. Liz Albee (trumpet) & Boris Hauf (saxophones) John Kameel Farah Khan c.sides asked ten diverse artists (and bands) to create new works, all sharing one goal: to make a humble contribution toward making this world a better, more just and beautiful place! Artists had full freedom in their creative process. We provided only general guidelines to participating artists regarding the project’s concept and an intended timeframe of ten to fifteen minutes for each piece, in order to allow the artists to develop an idea beyond the limitations of a ‘regular track.’ We also encouraged artists to work with different musical means than they usually would! This is an artistic experiment we have wanted to do for a very long time. It is a personal reaction to the overwhelming global and local injustices, catastrophes and troubles, and stems from a slightly naïve, yet sincere belief that art, in its essence, can be a political act and path to changing the world. The idea is self-critical and self-deprecating, yet genuine and heartfelt: to create something beautiful and thoughtful, to dedicate a bit of our creative time to pondering the world and our role in it. And the results? Probably our most beautiful production yet! And, it will take place on one of Berlin's best sounding stages: the large auditorium at the Haus der Kulturen der Welt. It has been an amazing experience for us to see the pieces come together, miraculously corresponding with one another and with our own individual works. And we don't think anyone should miss out on this event. One first step to making this world a better place is that entry costs only 8 Euros at the door, and 5 Euros for those eligible for discount!!! A Second step is that a release under the same title (Audible Approaches for a Better Place) will be released on the c.sides Label in September featuring all the works of all participating artists. More info: www.audible-approaches.csides.net This evening is part of the HKW Lokal program, as part of the ÜBER LEBENSKUNST initiative. ¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø^
c.sides festival, label and platform for
electronic music and critical media arts
c.sides Germany:
Heliosstr. 6 a-d (Hinterhof / Backyard)
D-50825 Cologne
Germany
Friday May 27 – Sunday May 29, 2011 These events will be preceded by the 2nd German-Canadian Professionals Conference - The Global Village: Calamity or Chance? featuring keynotes by Brian Lee Crowley, Linus Neumann andGundolf S. Freyermuth, moderated by Ariane de Hoog. Programme Highlights Re-Touching McLuhan Centennial Weekend Opening and Reception featuring Richard Cavell and Paul D. Miller aka DJ Spooky Re-Touching McLuhan: The Medium is the Massage Conference McLuminations Screening & Discussion Programme Through The Vanishing Point by David Rokeby and Lewis Kaye - Vernissage Full event schedule: http://mcluhan2011.eu/schedule All events are free and open to the public but spaces are limited so please RSVP at
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. If you are unable to attend, please join us online at http://mcluhan2011.eu/berlin. All RE-TOUCHING McLUHAN conference presentations will be streamed live and there will be opportunities to participate in a moderated online forum. To register your interest in our streaming programme, please contact Lalitha Rajan on
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. For more information on the event visit http://mcluhan2011.eu/berlin or contact Michelle O'Brien on
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.
Untold StoriesTallinna Kunstihoone
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